This particular artwork proved to be quite challenging due to size of the figures. The heads are quite small compared to the rest of the painting.Painting pupils the size of a felt-tip pen takes a quite steady hand. Copy and original as comparison below.
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Before I start painting, I analyse the source picture and original photos that were used in the composition. Then I paint the heads first as they are the most important and also tricky part.I start with mapping out the black areas such the hair and eyes with black ink.
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Once the heads are painted, I map out the light and dark parts of the bodies always starting with the components that are furthest back in the image to ensure seamless overlays with the front elements.
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Then follows the water. I admire McGinnis for his approach of mixing finely detailed elements such as the faces with broad and loose strokes for the water - and it works perfectly.
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